On the much anticipated opening weekend of Interstellar, senior contributing editor Bob Naeye reviews the movie's facts and foibles.
Few films in recent years have intrigued me as much as Interstellar, a highly ambitious movie directed by Christopher Nolan and starring Matthew McConaughey, Anne Hathaway, and Jessica Chastain. Trailers and reviews left me curious about the storyline of a future Earth dessicated by dust bowls and dying crops, and voyages beyond our solar system made possible by a wormhole. Most of all, I wondered whether the movie would fall within the realm of science fiction or science fantasy.
By science fiction, I mean movies such as 2001: A Space Odyssey, in which the filmmakers allow their plots to be constrained by the known laws of physics. In contrast, science fantasy franchises such as Star Trek and Star Wars ignore science whenever it gets in the way of entertaining storylines.
To my delight, Interstellar clearly falls within the domain of true sci-fi. The producers were clearly inspired by the science, and they even used the time dilation from Einstein’s general theory of relativity to enhance the drama and ask interesting moral questions of the characters. Compared to the vast majority of Hollywood flicks, I give Interstellar high marks for its attempts at scientific realism.
To make a long story short (the movie is nearly 3 hours), Earth is dying and NASA scientists led by Professor Brand (played by Michael Caine) realize that humanity needs to find another planet to avoid extinction. And just when the situation turns critical, a wormhole magically shows up near Saturn. Who put the wormhole there, and why, is suggested near the end. It enables spaceships to travel to another galaxy, where they enter a region of space near a black hole named Gargantua and about a dozen potentially habitable planets.
Astronauts sent decades earlier returned information through the wormhole indicating that three worlds are potentially suitable for human habitation. So NASA sends a crew of four to learn more. Piloted by McConaughey’s character Cooper and including Brand’s daughter Amelia (played by Hathaway) and two others, the spaceship travels through the wormhole to the remote galaxy.
Nolan hired retired Caltech physicist Kip Thorne as a scientific consultant, a role significant enough that he’s credited as an executive producer. Thorne helped the filmmakers produce a scientifically plausible wormhole. We don’t know whether wormholes exist, but I liked this device for making interstellar travel possible because it doesn’t rely on Star Trekkian faster-than-light warp drives, which are physically impossible. The movie’s wormhole is visually stunning, but we’ll probably never know whether it has any connection to physical reality.
My biggest scientific beef is what happens when the crew arrives in the other galaxy. They travel to the planets themselves, even though they lack sufficient fuel to visit all of them. This sets up interesting discussions among the crew, because they have to decide which planets to visit and in what order. Time is of the essence. Because some of the worlds are deep within the black hole’s gravitational well (something that’s scientifically preposterous), relativity’s time dilation means that visiting those planets would cause the crew to age much slower than the people back on Earth, raising moral dilemmas when the mission’s stated objective is to save humanity.
In reality, future astronauts would instead deploy telescopes to study the planets’ atmospheres from afar. Using spectroscopy, they could more quickly and efficiently ascertain which worlds have environments most promising for human settlement. NASA could have built such a telescope — the Terrestrial Planet Finder (TPF) — within the next decade if given adequate funding by Congress. And if Cooper’s crew deployed a TPF, they could have avoided wasting time on the first two worlds, which were clearly unsuitable for colonization. Of course, bypassing the landings would have robbed the plot of some of its most dramatic moments.
Cooper later takes the spaceship very close to Gargantua, which appears to be a stellar-mass black hole given its size relative to the spaceship. (The movie states that the black hole is supermassive, but that was something that I did not hear because of the film's poor sound quality. Even so, a supermassive black hole would be roughly the size of the solar system, and given the perspective compared with the spaceship, this size wasn't apparent on screen.) The filmmakers took great effort to produce a scientifically accurate rendering of the black hole, including the bending of light. But they neglected to include the Doppler effect and relativistic beaming in the surrounding accretion disk, which would make the approaching gas appear bluer and brighter.
In reality, traveling so close to one of these beasts would be lethal. The movie shows a highly luminous accretion disk of gas, even though there’s no obvious source (such as a star) of accreting matter. High-energy X-rays from the disk would literally fry a spacecraft and its human inhabitants. Making matters worse, venturing so close to such a low-mass black hole would subject the crew to spaghettification (an actual scientific term!) as the hole’s extreme tidal force would literally stretch a person into an ultrathin strand of protoplasm.
The final part of the movie leaps even further into the realm of scientific implausibility, though I don’t want to spoil the ending. I loved the penultimate scene because of its surreal quality (vaguely reminiscent of the stargate sequence from 2001). Interstellar’s conclusion lays obvious groundwork for a sequel, but I still found it intellectually and emotionally satisfying.
I liked Interstellar enough that I will see it again. But it’s not for everyone, and I understand why reviews are mixed. There are no rock ‘em, sock ‘em battles with aliens. Those wanting to see depictions of alien planets lush with life akin to Avatar’s Pandora will be deeply disappointed. Like 2001, the movie leaves many important questions unanswered, which might turn off some viewers.
Despite some obvious parallels to 2001, Interstellar is a very different kind of movie. It’s much faster paced, more complex, and features many more characters, who are developed at a much deeper level. Interstellar is a highly original, thought-provoking, and convincingly acted movie about human relationships, especially the one between Cooper and his daughter Murph. There’s enough scientific content and accuracy to give it considerable appeal to people with a scientific orientation.
Although I found the movie to be a bit rushed and confusing at times, and I often had difficulty understanding the dialog, it had a deep affect on me, though I find it difficult to explain or encapsulate. None of the reviews I have read fully convey the essence of the movie. If you decide to see it in a theater, I advise you to leave your preconceptions at home, and to not let the scientific inaccuracies bother you.
See Kip Thorne's take on the science of Interstellar:
And watch three physicists discuss the science of Interstellar in a Q&A organized by the Kavli Foundation:
Explore the universe's unknowns in our special publication, Astronomy's 60 Greatest Mysteries!